Another version of Miracle Train: Chuo-sen e Youkoso.
The first version of the Miracle Train project focused on the stations of the central Chuo line, while
the new anime and related stories deal with the Oedo subway line. As a result, the anime will feature
a newer cast of characters — specifically, Fumi Roppongi, Rintarou Shinjuku, Izayoi Tsukishima,
Iku Shiodome, Saki Tochou, and Itsumi Ryougoku.
My reaction, upon watching the first episode, was: _this is the dumbest thing I have watched in a
long time, and that includes the time I spent watching __Kamen no Maid Guy__._ But I can handle dumb!
And this seemed like...a generic, fluffy kind of dumb that could be mildly entertaining. Or so I
thought.
The premise: _A train that presents itself only to young women in trouble, the Miracle Train and its
six (handsome) personifications of the major stations on the Oedo train line will help passengers
solve their problems._
__Sounds like a nice, light show, right?__ Something light and episodic is all I’m expecting. So at
first, I’m not surprised: the stations are all cute and charming, from leader Tocho (terminal station
which has a lot of government offices) being reserved, rules-loving and glasses wearing…
…to Shinjuku being a flirt and having a more loose, modern appearance
But what I wasn’t prepared for is how incredibly _dull_ the problems they’re solving are. A girl loses
her dog but her real problem is that she’s too shy to talk to classmates. A woman contemplates whether
she should take an overseas job. A girl hates trains because her parents are obsessed with them.
I’m not saying I expected (or wanted) something horrific, but maybe something a bit deeper than “I
don’t know how to tell my crush I like him” (episode 5).
Sprinkled throughout are bits of train/station trivia. My opinion didn’t change until episode 7, which
is like 4 episodes longer than I would normally recommend watching something that seems dull (I figure
3 episodes, max, should make a decision).
There are hints of something deeper, addressing the questions I had. In episode 3 it’s plainly stated:
_once on the Miracle Train, passengers literally can’t leave until their problem is solved._ If they
try, they just end up walking back into the train car. __That’s…horrifying.__
And in episode 7, they start questioning what’s going on! Why do the stations exist as beings in the
first place? Why the Miracle Train? How does all this work? So I though, _hey, finally we’re getting
some depth!_
The more interesting parts of the series are the _why._ Why do the stations have form at all? (Beyond
the 6 main ones we meet, we meet a handful of other, minor stations, so it’s a safe assumption that
all stations have some sort of form.) Where did the Miracle Train come from and _why?_ What’s its
purpose? What kind of magical powers do the stations have? Why is the conductor suspicious as hell?
Why does he wear a mask? _Why is there a minor station in episode 8 __that has children of his own__
and HOW IS THAT EVEN POSSIBLE????_
And because the show seems aware of these questions, it tricks you! It makes you think you’ll get
answers before the end!
# __YOU DO NOT__
The final two episodes seem like they’re going to address all the questions that have built up! And
then! They don’t!!! They “solve” one problem and everyone is like ¯|_(ツ)_/¯ _let’s continue solving
extremely minor problems for women_
__Shinjuku:__ It’s not clear how we became people, either.
__Shiodome:__ You don’t know?
__Shinjuku:__ Are you saying you know?
__Shiodome:__ Uh?…Ah! We’re station fairies!
__This exchange is never follow up upon. ever. we don’t know if the station personifications are
created by an outside force or just spontaneously come into being as their station is being built and
I am so angry.__
___Verdict___
_English dub?_ No
_Visuals:_ Nice, exactly what you’d expect from a series about a group of handsome, gentle men (or
male-appearing entities): distinct character designs, all in their late teens/early twenties.
_Worth watching?_ Absolutely not. You get flashes of potential–the girl who is upset that she’s
_literally trapped on the train until her problem is solved,_ like finally we recognize there’s an
element of horror, the entire concept that stations can manifest? And they can summon, like, entire
grills for cooking and board games on the train, and just hang out with each other when they’re not
helping women? It could’ve been fun! But it has all the depth of a paper plate and doesn’t actually
follow up on anything interesting.
And I’m STILL angry because if it had just stuck to ignoring the questions, it could’ve been OK. But
it introduced all these questions _and acknowledged them and then completely failed to answer them_
and that’s just. bad storytelling.
The last 2 episodes throw _SO MUCH_ magic woo at you and then do absolutely _nothing_ with it. I mean,
at the last second it’s implied that the _dog mascot_ that has done nothing all series is some sort of
_overseer god figure_ and _THEY DON’T DO ANYTHING MORE._ It’s like they were actively putting effort
into creating plotholes and dead ends.