Joutarou Aragaki, former member of the national team, had given his whole life for gymnastics and was
fighting against his age and physical strength. However, one day he is told by his coach to start
thinking of his next career. Joutarou struggles, but his daughter, Rei, is always there by his side.
But with one fateful encounter, the Aragakis’ lives change drastically.
(Source: Funimation)
~~~_In 2002, the world of Japanese men’s gymnastics was still strong. Jotaro Aragaki devoted his
entire life to the sport, but things didn’t go as planned. His coach Amakusa suggests he retires. But
then an encounter comes that changes the fate of the Aragaki family forever._~~~
I’ll be honest: I pick this up based solely on the image (poster? key image? Surely there _has_ to be
a name for these things?) that Funimation used:
Let’s see, we’ve got 1) mention of gymnastics, 2) a bright and happy color scheme, 3) guy who looks
like an adult, not creepy, 4) little girl, unsexualized, 5) random assortment of weird items.
So, the vibe I’m getting is “not _serious_ but not wacky, with gymnastics.” And gymnastics is cool!
I’m a simple person, really.
We start off with Jotaro, in his late 20s, presumably past his prime as a pro gymnast, and with few
recent wins compared to his glory days as “the gymnastics samurai” in 90s Olympics, the nickname
coming from his ponytail hairstyle. With his career stagnating and a daughter to raise, he must make
changes. While trying to work up the courage to tell his daughter (and biggest cheerleader) that he’s
going to retire, they take a trip to Edo Wonderland and meet a character who changes everything.
This wasn’t your typical sports anime, though the gymnastics are featured and fun to watch. Jotaro has
competitors, yes, but his main problem isn’t a rival, it’s having to change himself. And not just
“work harder, take things seriously” as is normal in sports stories, but he essentially has to
re-learn how to listen to people.
Jotaro was a nice, interesting protagonist. He’s not mean or dumb, but he tends to take things at face
value and sometimes not even that, processing comments through the filter of what he’s already
thinking about, and therefore missing things that aren’t metaphorically flashing neon signs in front
of him.
And it’s not just played for laughs, it’s an actual weakness: he’s completely missed things his
longtime coach has been trying to tell him, and it nearly leaves him gymless. He was emotionally
supported by his wife, and when she died–a few years (I think?) before the series started–he didn’t
notice that his young daughter started picking up some of those emotional responsibilities. So through
the series, Jotaro has to learn to listen—_actually_ listen—to his fellow adult professionals if he’s
going to be a real competitor.
Don’t mistake this for a show about a manbaby or deadbeat dad, though. Jotaro struggles to balance
home life and pro life, but a large part of the show is him realizing that the balance doesn’t just
_happen_, and working to pay better attention to daughter Rei, so she doesn’t feel the need to act as
an adult that she’s not. And he’s a caring and loving dad, not just a fun-loving bro.
There’s a theme through the series: whether in gymnastics or personal life, what _has_ been happening
is not sustainable, and needs to change. Not because what _has_ been happening is horrible or bad, but
because what _has_ been happening is based on expectations, bodies, people, or conditions that have
changed. If the characters don’t change in response, they’ll stagnate.
Jotaro isn’t the only focus of the series, however. His daughter Rei, and the ninja Leo they pick up
from a historical theme park in episode 1 get a lot of the focus in the second half of the series.
Both characters have their own issues and insecurities that show more as the series goes on: both have
their own relationships with Jotaro, and their own emotional investment in his career that they
partially use as a proxy for their more uncomfortable, personal issues.
The setting is 2002, and _The Gymnastics Samurai_ won’t let you forget it, whether it’s the
characters’ cell phones, or the ganguro bartender Ayu, a wonderful character about whom I would watch
an _entire_ series.
The show, while overall light, has some deep themes of attachments and relationships, how people see
themselves and others, and how feeling other people’s expectations (or even what you think their
expectations are) can affect you, even if you have a different relationship with the thing being
expected.
___Verdict___
_English Dub?_ Yes
_Visuals:_ Very nice, modern and clean lines. CG models are used for some of the gymnastics routines,
but they’re done fairly well.
_Worth Watching?_ Yes. It’s not particularly _realistic_ (ninja Leo is pursued by mysterious
sunglasses-wearing professionals during several episodes for reasons that are explained later, but
which you can generally accept as cartoon drama; the family owns a talking turquoise bird), but it was
fun. And more than that, I enjoyed a sports show with an adult protagonist, and the growth the
characters (but especially Jotaro) have in learning to change.