The 11 year old Miyamoto Rebecca becomes the new teacher of a classroom which is full of weirdos.
Despite her cute looks she's a little beast and can be pretty sarcastic and offensive. The school is
not safe anymore now that she's in charge of a class and her students, Himeko, Ichijou, Rei and a
white rabbit who took a liking to Rebecca help her to rough up the school and the neighbour-class with
its teacher "ojii-chan".
(Source: Anime News Network)
- - - img(https://imgur.com/uVX84tH.jpg) - - - If I could be given a chance to describe Paniponi Dash! In one sentence, I would say it’s a very chaotic and experimental take on the slice-of-life school comedy genre of its time. It mercilessly bombards you with random referential humor. It doesn’t follow a distinct format in delivering its jokes. Whatever Shafts in the creator's minds on what they think is funny, they will insert it regardless if it makes sense to the overall theme of the show or not. In most cases, the show is not even identifiable as a school comedy but a jumble of genres instantly shifting themes from time to time. This review might have some minor spoilers but Paniponi Dash! the story is not the main focus of the show so you won't be losing much on the experience. First of all, we need to discuss the show's story. To summarize Paniponi Dash! It's all about Rebecca’s daily struggles in managing her main class while at the same time confronting bizarre forces lurking in the corner as the story goes on. The only twist the story has to offer to differentiate it from the rest of other slice-of-life school comedy is that Rebecca is an 11-year old genius that graduated top university in America. After Graduation, she flew to Japan to become a high school teacher. . In my opinion, she is better off doing things that might benefit the human race with her self-proclaimed superior intelligence, than doing a profession she literally has no passion for. That alone for me as an initial story doesn’t impress me or appeal to me even if it’s just a comedy show. But wait! There’s more! Not being satisfied for being just a plain old-school comedy. The show also has the audacity to add some sci-fi and paranormal stuff in the mix. It is revealed in the first minute of the show intro that Rebecca's intellectual potential has caught the eyes of these weird-looking mushroom head aliens and decided to monitors her every action 24/7. Does this show bother to explore an interesting story as to why Rebecca is special or explore the origin story of why is a genius in the first place? The short answer is no. It was never mentioned again in the next 26 episodes and the aliens only serve as trouble makers to do more weird shenanigans to Rebecca Life thus feeding the show with random SciFi and paranormal humor. The show even bothers to show the alien daily lives in a comedic fashion that serves no real purpose aside from Gag Filler. And that’s what will you expect in Paniponi Dash Main Story. The spoiler ends here. The main heart and blood of this series is comedy. I usually put the comedy in a separate section when I made reviews for school comedy. But for Paniponi Dash! case, I will be talking about both the comedic elements and the characters side by side to explain my points on what I found funny and not funny in this show. Let’s start with the characters first. I have an issue when a show has far too many characters and not a single one stands out or makes an everlasting impression on me. In your standard school comedy you might get 3 to 5 characters sometimes more than 10 but Paniponi Dash! has like 20+ plus regular characters and some other extras along the way. And not a single one gets a fair amount of characterization, fails to retain their sparks in a few episodes, or worst a few minutes of screen time. Taking into account the show bother to highlight some of them but don’t have the dedication to make the audience feel invested in them. img(https://imgur.com/z0aj3mN.jpg) ####~~~____You Know the Entire Cast is Big if You Can Make Tarrot Cards Around It____~~~ For a school comedy, characters don’t really need to be complex or written with layers of personality but they need to have some additional identity aside from their core punchlines. If you are going to use them for more than 1 to 3 episodes at least add a little bit of character. The only character I see that changes a little bit is Rebecca's interaction with her students and that's about it. Characters in this show are defined by their surface-level traits, not personality but particular physical traits that define their one-liner joke. For example, there is a character defined as looking bland and boring, another one describes having a shiny forehead while there is a girl describe for her hairstyle, not joking. Kind of an offensive joke trait if you ask me. And sadly, they never improve upon the status the show gave them. And we spotted the first problem of the show, the characters feel irrelevant. The show never invents new gag to make the characters funny, they continue repeating the joke over and over again in every single episode. It gets boring really fast. Sure, the first 1 or 3 joke getting repeating is ok, but abusively repeating it from episode 1 is pretty overkill. Another thing I want to highlight is referential humor. I really don’t think this show nailed what makes those references funny in the first place. Instead of making a creative satire of the source material, they just added it there without any meaningful context thus a cheap knock-off parodies. I can forgive if the reference is in small amounts since a lot of school comedy does the same tactic but in Paniponi Dash! it is a constant barrage minute by minute that even the most hardcore of hardcore otakus might find overwhelming. Referential Humor occupies the majority of its episode runs. For Visual complaints, not so much except for CGI NPC's is just an uncanny valley for me. Sure it's intentional for comedic purposes and it was already done before by other shows. But for me, 2D NPC's has some charm on it on not alienating its setting and characters. And that’s sums up my negative gripe with the show comedy. img(https://imgur.com/pfAKfG0.jpg) ####~~~____I know this is intentional, But this is not Funny. More like Nightmare Fuel____~~~ Now after bursting the weight in my chest, let's move on to the interesting and funny part of the show that made me believe it’s not a total dumpster fire. ~~~img(https://imgur.com/FmWyrcz.gif)~~~ ####~~~____Very Impressive Parody of the GunBuster! Series____~~~ When it comes to jokes and humor that are not related to any outside media source, the show is funny for me. Simple conversations about daily living and personal interests are very engaging to watch. Added with some very enjoyable soundtracks between the comedy and the relaxing moments, the show has a good ambiance in setting the mood. Too bad this good trait of the show is overshadowed by the creator’s ambitious nature in making the show as explosives and chaotic as possible. When it comes to creativity and animation, I give this show a pass. I can appreciate the sure amount of passion and effort place in the visual presentation of this anime. Combining 2D animation with real-life still images with eye-pleasing color choices. Even on complicated sequences like SciFi machinery and fast-paced action, the animation is very fluent and consistent which some other referential comedies failed to replicate. Studio Shaft also improves upon the art style of the source material making an extra plus in my book. - - - #~~~__Final Thoughts__~~~ - - - It is obvious by this point Paniponi Dash! sole purpose is delivering a different approach to the ever-developing boom of the cute girls doing cute things sub-genre. It's quite an experimental series since this is the time when Shaft is still trying new things to spice up the visual experience. I admit because of this experimentation the anime visually made an identity for itself at the time. Thought because of this trial and error pace took a toll on the character writing and possible potential the show can produce. To me, the show can be a potentially good slice of life series since it has the elements. A relatable setting, relaxing atmospheric soundtrack, and probable likable characters if they were flesh enough. But that’s just me wanting the show to be more than just a wacky flavor of the seasoned comedy. img(https://imgur.com/osYFK03.jpg) ####~~~____For Me, If They Actually did a little more Focus on Characters Relationship____~~~ ####~~~____The show will be more than a Random Comedy____~~~ I can’t really blame the show if it decided to focus on the comedy elements since the plot itself is a joke. But it also works against it since the gag is so random and trivial, it gets less impact as the show continues. If the series lasted long enough before the comedic magic grew stale, I would find this show memorable and recommendable but it's 26-episode series that repeats its joke. It gets less and less engaging overtime for having a lack of direction to its characters. I’ve lost interest around episode 7 when nothing is actually changing. I found it bad because of that. When it comes to referential comedy, it’s always a hit or miss to me. But when it does hit, it’s pretty enjoyable. I like when they pay tribute and homage to very classic anime like Gunbuster and other mecha shows but that is not enough to keep my attention. The very thing that I acknowledge and happy that Ponopani Dash! anime existing is that it gave way for better adaptations of series Shaft created with similar style and cinematic approach. They improve upon the same concept with Hidamari Sketch which one of the best Slice of Life School Comedy the studio ever made and Sayonara Zetsubou Sensei that perfected the comedic formula. Especially the usage of the same visual style in the Monogatari franchise. Thus establishing Shaft Animation style as a whole. img(https://imgur.com/RtBdkie.jpg) ####~~~____ Seeing all this Series____~~~ ####~~~____Kinda Makes Me Appreciate How Shaft Evolve as a Studio____~~~ - - - #~~~__Final Scoring__~~~ - - - __Characters Mediocre (4/10) Comment:__ Characters define by 1 line jokes and appearance. Need fleshing out to become memorable. __Story Mediocre (4/10) Comment:__ There isn't any plot, what you read in the synopsis is basically what you get in the entire show. Comedy is a hit or miss. __Music Good (7/10) Comment:__ Have a very good set of soundtracks ranging from calm to wacky. In my opinion, OP 2 is the best song "Roulette☆Roulette by by Momotsuki Gakuen Ichinen C Gumi". Very fun to listen to from time to time. ~~~youtube(https://youtu.be/xVg-iOGm0Ps) ~~~ __Art Good (7/10) Comment:__ Experimental and Consistent. It's a pass. __Enjoyment (6/10) Above Average Comment:__ There are times the show is very fun. There are times it's very boring. Since this is a referential humor-heavy show that is also very dated now from the time I write this review this 2021. Not all folks will enjoy it. __Overall (4.9 or 5/10) Ok or Meh School Comedy Series Comment:__ I am saying it now. The only thing that interests me to watch Paniponi Dash! is that it serves as a stepping stone in improving Shaft's later works. The premise and appeal alone of this show are not enough for me to actually continue finishing it. To me, I only recommend this anime if they are looking for a wacky comedy made in the early '00s. Other than that they are even better titles worth watching. Newer comedy shows are a better alternative if you want referential humor you can currently relate to. To me, this anime is a relic of the past that nobody is obligated to or a must-watch. But if you want to travel back in time to see what is Shaft is all about in 2005, go ahead and try it. ~~~__And Always Thanks for Reading__~~~ img(https://imgur.com/Hqk2Ec3.jpg) ~~~~~~
paniponi dash is basically if the entire religion of christianity was an anime, except maybe it's satanism? really it could be either one, depends on whether its raining i suppose... it's not raining. it's like if the entire religion blah blah blah. ~~~img520(https://i.imgur.com/55CysbP.jpg)~~~ the episode titles are brilliant. they're all spins on classic proverbs, and all the text splattered across the blackboards and whatnot in classic shaft style (not classic 'til paniponi dash made it so) adds to the chaos of it all, and sometimes can be very chilling with what's sneakily snuck in there. there's lots of very subtle touches - like with the creepy old teacher - that won't make sense the first time around, but when they do it changes everything (unless it doesn't). y'see, paniponi dash, despite coming off as a wacky mindless romp like most cute girls high school anime, oh... it is just that, actually... well, besides that it happens to also be a total mosh pit of ideas, one with a creative output so large it pulls from everybody in the studio, literally. everybody in the studio scribbles all over the fucking walls to the point of it filling the entire screen with subtitles, and then it happens again the very next time anything at all happens (including it, which just happened). not only that, but paniponi dash is filled to the brim with references which range from eroge games & touhou to western pop fiction & kung fu films (depending on whether it's raining it could be one of the two); so many references, in fact, that each episode is accompanied by a 15 page pdf file that attempts to explain them all. and yet, despite all this random chaos, every step of the way there is an underbelly of depth and intentionality that captivates all of my mind each time i watch it. it's fucking brilliant. if you still aren't convinced of paniponi dash being the second coming of christ, then just watch this opening storyboarded by tatsuya oishi (all of them, actually, are storyboarded by him. all of the openings. all three of them. what a twig.) the proof is in the pudding, my friend. ~~~ ~!youtube(https://www.youtube.com/watch?v=ZhJhh11-HTo)!~ ~~~ okay, so get this.. hidamari sketch is basically if the entire religion of BUDDHISM was an anime, but that's a topic for another day when i dont take my meds and skip sleeping for 48 hours. and im dead serious about that (whatever that may be). v this part of the review was literally a reply to someone elses review about negima that somehow ended up here but im keeping it in because it makes sense that being said, i believe all of shinbo's productions with shaft walk a very fine line between being extremely meaningful and being nonsensical clusterfucks, and any good shaft production is both of these things simultaneously. now, there's no denying there are plenty bizarre connections between shaft anime. namely those that get talked about pretty regularly, like the heavy usage of chairs, headtilts, text flashes, and photographed objects which practically define the studio's style. one common trait that typically goes unnoticed however, is how each anime plays off religious ideas.