Lieutenant Oliver May and the 603 Technical Division Unit aboard the Jotunheim continue testing and
evaluating experimental weapons to aid the Zeon war effort against the Federation Forces. At the end
of each experiment, the tale of the trials and tribulations faced by the weapon and its test pilot
adds a small chapter to the long history of the One Year War
(Source: Anime News Network)
MS Igloo: Apocalypse is a series I approached with high hopes, but it starts with a frustratingly weak presentation. Despite a two-year gap, the animation barely shows improvement. Considering it was released in the same year as Final Fantasy VII: Advent Children, this is a significant letdown. The opening scene initially suggests improvements, with moments that look almost on par with Advent Children. However, this is mostly due to the lighting hitting the models at just the right angles. Unfortunately, the animation remains inconsistent. Characters still display the same awkward, exaggerated expressions seen in The One-Year War, with many movements appearing over-the-top and the characters looking like pale husks. While there's a noticeable upgrade, the difference is minimal, especially if watched back-to-back with the previous series. On the plus side, the mobile suit battles in space are visually impressive and a highlight of the animation. The narrative of MS Igloo: Apocalypse begins sluggishly compared to its predecessor. Although it continues from where the first series left off, the early episodes are bogged down by excessive exposition, making it a tough watch initially. I found myself questioning whether the series would improve. Fortunately, the story picks up significantly in the second episode, showcasing the Zeon forces' preparations and battles at A Baoa Qu. The drama hits more impactful notes than the first series, despite its brief run time. However, the animation's limitations occasionally undermine some of the more serious moments, affecting their emotional weight. The music ranges from melodramatic highs to generic lows, but it complements the series adequately, even if some tracks repeat familiar melodies. The production issues do hold back the series' full cinematic potential, but the plot gains momentum as it progresses towards the end of the One Year War. Apocalypse offers a poignantly sweet send-off that makes enduring the awkward CGI worthwhile. The latter half of Apocalypse is notably better, with the final episode standing out as a highlight. The action sequences are fantastic, and the character development shines through. Fans of the battles in Gundam: The Origin will appreciate the direction, as it’s helmed by the same director. This volume is on par with The Hidden One-Year War for me, though I found it more enjoyable overall. Seeing one of the most renowned Gundam battles from 0079, especially from Zeon's perspective, adds a unique dimension. If it weren’t for the first episode’s slow start, Apocalypse would be a more solid piece. Despite its flaws, it offers a compelling look at the war’s final stages and is worth watching for Gundam enthusiasts.